marți, 2 noiembrie 2010

The Price of War: Wondering One Time Or Another If You Would Ever Make It Home Alive

Cherries - A Vietnam War Novel

By John Podlaski
http://cherrieswriter.wordpress.com/
https://www.createspace.com/3454523
Historical fiction - war
ISBN:1452879818
EAN-13: 9781452879819
Publisher: CreateSpace.comFive Stars

Originally eviewed by Bernie Weisz for Amazon.

I am not quite sure where to start with John Podlaski's blockbuster book "Cherries", a fictionalized account of his 1970 to 1971 tour as a foot soldier in South Vietnam. As an avid reader of many historical memoirs, both fiction and autobiographical, rarely have I found one as in depth and revealing as Mr. Podlaski's work. Thirty years in the making, it was originally written in a first person format. "Cherries" was started in 1979 and ground to a frustrating halt ten years later. It sat dormant until 2009, where Mr. Podlaski, with renewed verve, finally took it to task to complete it. At the advice of his publisher to change the story to a third person fictional approach, and the technical computer dexterity of his daughter, Nicole, the writing was first converted from carbon paper to Atari floppy disks and finally to Microsoft Word. "Cherries" is now available to the public. Regardless of the format, Mr. Podlaski takes the reader, through the protagonist of John Kowalski, of his personal tour conveying his impressions of a war America currently prefers to forget.

This historical gem will not let this happen. Through an incredible, larger than life manuscript, Mr. Podlaski reminds us that the jungle warfare against huge communist forces in Vietnam was a deadly and unique challenge to our U.S. forces. It is made clear in "Cherries" that the limited American forces faced an unlimited number of Communist troops who had the incomparable advantage of a sanctuary for their replacements beyond the 18th parallel. With the memory of the 1950-1953 Korean War debacle, the U.S. government granted this sanctuary fearing that any military action beyond it would cause reprisals by Communist China. In South Vietnam, our troops could not distinguish enemy from friendly Vietnamese. Within the storyline, the reader finds that a village could be friendly by day, and enemy by night. It was a battlefield without boundaries. A secret supply route in Laos, known as the "Ho Chi Minh Trail," funneled a constant arms supply to the enemy. The jungle provided the perfect cover for the Communists, constantly posing ambushes from the rear and flanks of our troops. Bayonet and gun butt, hand to hand fighting was frequent. Capture by the enemy could mean torture and a communist prison camp. The constant unbearable heat, with high humidity, enervated our troops.

Prior to John Podlaski's arrival in South Vietnam, the U.S. had become involved in the S.E. Asian conflict under dubious circumstances. The alleged August, 1964 attack of two U.S. destroyers by North Vietnamese patrol boats in the South China Sea brought on the "Gulf of Tonkin Resolution" giving then President Lyndon B. Johnson a free hand to commit American troops to defend South Vietnam's fledgling democracy. However, the South Vietnamese political situation crippled their war efforts. Bitterly opposed political factions of Buddhists verses Catholics caused the assassination of President Ngo Dinh Diem by a military coup, whose leaders then could not unify the country. Meanwhile, in the U.S., the drumbeat of communist propaganda split the citizens of this country, especially our youth. Mr. Podlaski brings this point to light at the beginning of his story. He describes that when a soldier would begin his trek to South Vietnam from the Overseas Processing Terminal in Oakland, California. There, masses of hippies and former soldiers picketed against the war. They would plead with Vietnam bound soldiers to quit the military and refuse to fight this war. Despite all these odds, U.S. forces had practically knocked out the North Vietnamese in South Vietnam by mid 1966 when new and highly trained North Vietnamese Communist forces poured into South Vietnam.
Such was the situation when the January, 1968 Tet Offensive occurred. A cease-fire began on January 30, 1968 for the Vietnamese new year of Tet, which falls on the first new moon of January. On January 31, 1968 the Viet Cong broke their cease-fire and attacked many cities and provinces throughout South Vietnam. In Saigon, a small number of Viet Cong troops were able to reach the American Embassy grounds, but did not gain entry into the embassy itself. In the Northern part of South Vietnam, the city of Hue was taken over by the V. C. and executions of city officials and their families took place. The initial reporting indicated the number of people executed was in the thousands (2,300 persons executed in and around Hue during the Tet Offensive). Saigon was the center for most if not all of the news agencies that were covering the war in South Vietnam. The Tet Offensive of 1968 was the first time, during the war, that actual street fighting took place in the major cities. Rear support personnel and MP's did the initial fighting by American troops until support from infantry and armor could arrive. These men did an outstanding job in defending the cities, airfields and bases along with the embassy. This is incredible considering the fact that over 2.5 million U.S. men and women served in Vietnam during the entire war (1959 to 1975) but only 10% of that were in the infantry and actually, as Podlaski put's it "humped the boonies." The American news media captured this street fighting on tape in addition to the attack on the American Embassy. This new offensive was immediately brought into the homes of American families through reporting by television and the press. The sensationalism of this reporting brought forth a misrepresentation of the actual facts that took place during the Tet Offensive of 1968. The reports led the American people to the false perception that we were losing the war in Vietnam and that the Tet Offensive was a major victory for North Vietnam. This was not the case. The reality was that the VC suffered high casualties and were no longer considered a fighting force. Their ranks had to be replaced by North Vietnamese regulars. The civilian population of South Vietnam was indifferent to both the current regime of president Nguyen Van Thieu in South Vietnam and the Viet Cong. The civilian population, for the most part, did not join with the VC during the Tet Offensive.

Bui Tin, who served on the General Staff of the North Vietnamese Army and received the unconditional surrender of South Vietnam on April 30, 1975, gave the Wall Street Journal an interview following the Tet Offensive. During this interview Mr. Tin was asked if the American antiwar movement was important to Hanoi's victory. Mr. Tin responded "It was essential to our strategy", referring to the war being fought on two fronts, the Vietnam battlefield and back home in America through the antiwar movement on college campuses and in the city streets. Furthermore, he stated the North Vietnamese leadership listened to the American evening news broadcasts "to follow the growth of the American antiwar movement." Visits to Hanoi made by persons such as Jane Fonda, former Attorney General Ramsey Clark and various church ministers "gave us confidence that we should hold on in the face of battlefield reverses." Mr. Tin asserted that: "America lost because of its democracy; through dissent and protest it lost the ability to mobilize a will to win." Mr. Tin further declared that General Vo Nguyen Giap, the commanding general of the North Vietnamese Army, had advised him the 1968 Tet Offensive had been a tremendous defeat.

After the 1968 Tet offensive, the military defeat of North Vietnam ironically became a political victory for North Vietnam because of U.S. anti-war demonstrations and the sensationalism of the news media. The North Vietnamese interpreted the U.S. reaction to these events as the weakening of America's resolve to win the war. The North Vietnamese believed that victory could be theirs, if they stayed their course. From 1969 until the end of the war, over 20,000 American soldiers lost their lives in a war that the U.S. no longer had the resolve to win. The sensationalism by the American news media and the anti-war protests following the 1968 Tet Offensive gave hope to Communist North Vietnamese, strengthening their belief that their will to succeed was greater than ours. Surreptitiously avoiding a successful resolution at the January, 1972 Paris Peace Conference following the disastrous defeat of the 1968 Tet Offensive, they used stalling tactics as another tool to inflame U.S. politics. This delaying tactic once again ignited further anti-war demonstrations. Militarily, America won the war on the battlefield but lost it back home on the college campuses and in the city streets.
John Podlaski's story started in 1970, where America was in the process of what President Nixon called "Vietnamization." This was the President's policy of gradually returning the primary responsibility for conducting the war to the South Vietnamese. As US troops withdrew, South Vietnamese forces were increased in size and received additional training and equipment, with the ultimate goal being complete U.S. departure of the war. The South Vietnamese would be left to stand alone in their civil war with the Communists. John Podlaski's emphasis was on the soldiers who recently arrived in South Vietnam, that fought in triple canopy jungles of Vietnam. They were naive young recruits, just graduating from high school within the past year. Dubbed "F.N.G's or "Cherries" by the veterans, these men found themselves in the middle of a situation never imagined in their wildest dreams. As Podlaski emphatically stated in the book: "I guess you really had to be there to understand." As opposed to the ticker tape parades that U.S. servicemen were given upon their return from the W.W. II battlefields of the Far East and Europe, his terse remark in his epilogue spoke volumes upon his protagonist's return from the war: "There were no speeches or parades. One night you're getting shot at and looking at the bodies of your dead friends, and then two days later, you're sitting on your front porch, watching the kids play in the street and the cars drive by. There was no transition period."
Throughout Podlaski's book, the general theme is for no U.S. grunt to be the last American to die in a war not sought for a victorious conclusion. The facts of American conduct of the war in 1970 to 1971 are interesting. As stated earlier, severe communist losses during the Tet Offensive allowed President Nixon to begin troop withdrawals. His Vietnamization plan, also known as the "Nixon Doctrine," was to build up the South Vietnamese Army (known as " ARVN") so that they could take over the defense of South Vietnam on their own. At the end of 1969, Nixon went on national TV and announced the following: "I am tonight announcing plans for the withdrawal of an additional 150,000 American troops to be completed during the spring of next year. This will bring a total reduction of 265,500 men in our armed forces in Vietnam below the level that existed when we took office 15 months ago." On October 10, 1969, Nixon ordered a squadron of 18 B-52's armed with nuclear bombs to fly to the border of Soviet airspace in an attempt to convince the Soviet Union, North Vietnam's main supporter along with Communist China, that he was capable of anything to end the Vietnam War. Nixon also pursued negotiations and ordered General Creighton Abrams, who replaced William Westmoreland, to shift to smaller operations, aimed at communist logistics, with better use of firepower and more cooperation with the ARVN. The former tactic of "Search and Destroy" was abandoned. Détente with the Soviet Union the Republic of China was also pursued. Easing global tensions, détente resulted in nuclear arms reduction on the part of both superpowers. Regardless, Nixon was snubbed as the Soviet Union and Red China continued to covertly supply the North Vietnamese with aid. In September 1969, Ho Chi Minh died at age seventy-nine.
Nixon appealed to the "silent majority" of Americans to support the war. With revelations in the media of the "My Lai Massacre," where a U.S. Army platoon commanded by Lt. William Calley raped and killed civilians, and the 1969 "Green Beret Affair" where eight Special Forces soldiers, including the 5th Special Forces Group Commander were arrested for the murder of a suspected double agent, national and international outrage was provoked and the American anti war movement gained strength. Starting in 1970, American troops were being taken away from South Vietnamese border areas where much more killing took place, and instead positioned along the coast and interior, which is one reason why casualties in 1970 were less than half of 1969's total casualties. In Cambodia, Prince Norodom Sihanouk, this nation's leader, had proclaimed Cambodian neutral since 1955. This was a lie, as the Communists used Cambodian soil as a base and Sihanouk tolerated their presence to avoid being drawn into a wider regional conflict. Under pressure from Washington, however, he changed this policy in 1969. The Vietnamese communists were no longer welcome. President Nixon took the opportunity to launch a massive secret bombing campaign, called Operation Menu, against their sanctuaries along the Cambodia/Vietnam border. This violated a long succession of pronouncements from Washington supporting Cambodian neutrality. In 1970, Podlaski first set foot in South Vietnam., and in Cambodia Prince Sihanouk was deposed by his pro-American prime minister Lon Nol. Cambodia's borders were closed, and both U.S. and ARVN forces launched joint incursions into Cambodia to attack North Vietnamese/Viet Cong bases and buy time for South Vietnam.

The invasion of Cambodia sparked massive nationwide U.S. outcry and protests. Public outrage peaked in the U.S. when 4 students were killed by National Guardsmen at Kent State University during an anti war rally in Ohio. The Nixon administration reacted indifferently to this, and was publicly viewed as callous and uncaring, providing additional impetus for the anti-war movement. In 1971 the "Pentagon Papers" were leaked to The New York Times. The top-secret history of U.S. involvement in Vietnam, commissioned by the Department of Defense, detailed a long series of public deceptions. The Supreme Court ruled that its publication was legal. Although not mentioned in "Cherries", with U.S. support, The ARVN launched "Operation Lam Son 719" in February 1971, designed to cut the Ho Chi Minh trail in Laos. Similar to the sham of Cambodian neutrality, ""supposedly" neutral Laos had long been the scene of a secret war. After meeting resistance, ARVN forces retreated in a headlong, confused rout. Shamefully, they fled along roads littered with their own dead. When they ran out of fuel, South Vietnamese soldiers abandoned their vehicles and attempted to barge their way on to American helicopters sent to evacuate their wounded. Many ARVN soldiers clung to helicopter skids in a desperate attempt to save themselves. U.S. aircraft had to destroy abandoned equipment, including tanks, to prevent them from falling into enemy hands. Half of the invading ARVN troops were either captured or killed. The operation was a fiasco and represented a clear failure of Vietnamization. In 1971 Australia and New Zealand withdrew their soldiers. The U.S. troop count was further reduced to 196,700, with a deadline to remove another 45,000 troops by February 1972. As peace protests spread across the United States, disillusionment grew in the ranks. Drug use increased, race relations grew tense and the number of soldiers disobeying officers rose. Fragging, or the murder of unpopular officers with fragmentation grenades, increased. The phenomenon of "fragging" is mentioned in "Cherries" in a rather interesting scenario.
"Cherries" is a "catch all" for all of the subtle nuances and innuendo a grunt in the jungles of Vietnam circa 1970 to 1971 would experience. Mr. Jack Stoddard wrote a book about a very common cliche Mr. Podlaski included in the nomenclature that was to arise out of this war. Aside from exposing racial conflict between blacks and whites in the beginning of the book, there is a small anecdote whereupon there is almost a fight between blacks and whites in a pool room in the States just prior to deployment to S.E. Asia. A sergeant tells the combatants the following: "I'd be willing to forget this incident if everybody just walks away and returns to what they were doing earlier. What are you going to do if we don't? Send us to Vietnam?, someone called out from the crowd". No history book will ever contain this, but there were reasons that many returning veterans went back to Vietnam despite the anti war movement and the lack of resolve for America to win. To quote Podlaski, he uses an example of Sgt. Larry Holmes, nicknamed "Sixpack" who returns to Vietnam rather than finish his military obligation stateside as a drill instructor training new recruits. Here is a poignant and true example of "the times": "He had his orders changed during leave and volunteered for a second tour. Why would he do a thing like that? He told me he was fed up with the civilians and all the hippies. He said that while on leave, he was spit on and people were getting on his case because he was training soldiers to be baby killers and then sending them off to Vietnam. He said there wasn't a day that went by without someone picking a fight with him. After the cops had jailed him for a second time for disorderly conduct, he went and signed the papers. The world is filled with jerks. Too bad he had to volunteer for Nam to get away from it all."

Unfortunately, the reality is that this happened in the late 1960's and early 1970's more than one would suspect!
Regardless of the aspect of fiction being the backdrop, this story is so real, with nothing missed. Podlaski describes his protagonist's reactions to Vietnam more accurately than over 100 memoirs combined. The red dust of Vietnam, the insects, leeches, the heat, rats, humidity and monsoons are all covered. Podlaski's description of observing betel nut by the indigenous Vietnamese is a classic: "Everyone wore straw conical hats that helped to shield their faces from the strong rays of the sun and they were all smiling happily. All looked as if they had mouths filled with black licorice. Their lips, teeth and insides of their mouths looked like a poster advertisement from the Cancer Foundation, warning of the dangers of smoking". Podlaski's description of a Vietnamese village is incredibly authentic, only to be told by a participant: "The entire time they were there, the soldiers were surrounded by at least 30 kids at any given time. Most of them were hustlers who tried to sell them anything from pop to whiskey, to women, chickens and dope. It was like a flea market making a sales pitch." Another truism is Podlaski explaining to the reader why soldiers were glad when children came to greet them: "The villagers know when Charlie is around and are smart enough to not let their kids be in the middle of a firefight." The paradigm of a new soldier, i.e. "Cherry" is instructive: "Just don't go out there thinking you're John Wayne, because it'll get you killed." Equally telling is Podlaski's "grunt rule" of Vietnam when objecting to training the military gave that turned out to be "useless" in the bush: "What more do we have to learn? There's a little guy with a gun that's trying to shoot me and I shoot him first. It's as simple as that." Another classic quote in "Cherries" is Podlaski's lament of his 365 day "prison term of Vietnam: "We're all locked up in this country for the next year and all we can do about that is serve our time."

As I mentioned at the start of this book review, this book has everything. Firefights, medical evacuations, booby traps, punji pits, mechanical ambushes, Cobra attack helicopters, medical evacuations and very graphic, violent depictions of death in the sweaty jungles of Vietnam are mentioned. Some of Podlaski's comments within this book can be found in countless memoirs that I have read. They are all "on the money"! Other classic quotes are of the soldier with only a few days left of his tour (usually 365 days), about to DEROS (return to the states-date of return from overseas service) on the "freedom bird" (an expression for a commercial airplane that would fly a soldier from Vietnam back to the U.S. Here is a classic quote of Podlaski's found universally in every memoir I have encountered: "They say that you can be fearless as a lion after your first month in country, but feel like a Cherry again after that last month." Fear of death runs rampant throughout the book. Unlike any World War II book where the only goal was annihilation of the enemy and victory, the only goal in "Cherries" is for the characters of this story to survive their tour and come home in one piece. "Fragging" is discussed. This expression refers to the act of attacking a superior officer in one's chain of command with the intent to kill him. It boils down to the assassination of an unpopular officer of one's own fighting unit. Killing was done by a fragmentation grenade, thus the term. This was used to avoid identification and apprehension. If a grenade was used, a soldier could claim in the heat of a battle that the grenade landed too close to the target and was accidentally killed, that another member of the unit threw the grenade, or even that a member of the other side threw it. Unlike a gun, a grenade cannot be readily traced to anyone, whether by using ballistics forensics or by any other means. The grenade itself is destroyed in the explosion, and the characteristics of the remaining shrapnel are not distinctive enough to permit tracing to a specific grenade or soldier.
"Fragging" usually involved the murder of a commanding officer perceived as unpopular, harsh, inept or overzealous. As "Cherries" unfolds, the war became more unpopular. Soldiers became less eager to aggressively engage and seek out the enemy. The G.I.'s in the boonies preferred leaders with a similar sense of self-preservation. If a C. O. was incompetent, fragging the officer was considered a means to the end of self-preservation for the men serving under him. It would also occur if a commander took on dangerous or suicidal missions, especially if he was seeking self glorification. Individual commanders would be "fragged" when demonstrating incompetency or wasting their men's lives unnecessarily. The facts are that during the war, at least 230 American officers were killed by their own troops, and as many as 1,400 other officers' deaths were inexplicable. Between Podlaski's tour of 1970 and 1971 alone, there were 363 cases of "assault with explosive devices" against officers in Vietnam. Finally, there are explanations about the war rarely to be told in high school nor college curriculum. John Podlaski explains that in the ranks of the Viet Cong and North Vietnamese Army, many women served as soldiers. Caves and spider holes were rampant, and this elusive enemy rarely left their wounded and dead on the battlefield. With the exception of the "Ia Drang" 1965 battle, the Communists rarely engaged in a "set piece", toe to toe battle. The NVA and Viet Cong fought mostly at night, when they had an advantage, and were an extremely cunning, formidable foe. In regard to the enemy, Podlaski quotes: "If you don't respect them and continue to underestimate them, you'll never make it home alive." In terms of surviving one's tour, Podlaski pointed to luck as the decisive factor. One of his characters was named Zeke, a grunt who was "short" (less than a month left on his tour of Vietnam) and forced to go out on one final mission before going back home, as ominously asserting the following:" Training and experience don't mean nothing in the Nam. It's all luck . And I don't feel like I have any left." Nothing is missed in "Cherries". Agent Orange is vividly brought up. Involvement of the Koreans, Thai's and Australians, a fact underplayed and rarely discussed, is also mentioned. Podlaski interestingly mentions about the 1 year tour the following quip: "You learn more about this place every day. Yeah, and just when you think you know it all, it's time to go home".
There are other prophetic comments and anecdotes. In discussing a soldier's difficulty in determining whether or not a villager is a Viet Cong or an innocent civilian, he wrote: "If we had that answer, the war would have been over a long time ago." Podlaski compared humping the bush with a Halloween haunted house: "In both cases, you felt your way along, waiting for something to jump out at you. In the bush, to get surprised could very likely result in death." His comment about humping around the 100 degree, insect, snake, rat and leech infested jungle with 60 lbs on one's back was as follows: "The grunts no longer thought of the never-ending jungle as Vietnam. Instead, they imagined themselves in a large box, constantly walking, but never able to reach the other side." In regards to dealing with the death of a friend in combat, Podlaski expressed the following: "There will be others so you have to learn how to block out the emotions and live with the hurt, otherwise you'll drive yourself crazy." Unlike the camaraderie of W. W. II Vets with their V.FW's and perpetual fellowship, Podlaski exposed this missing element of Vietnam Veterans. As one grunt went home for the last time and said goodbye to his fellow G.I's, Podlaski wrote the following: "In the morning, as the 3 of them readied themselves for their final chopper ride out of the jungle, the men hugged and shed some tears. Promises were made to be broken, and it was unfortunate, but this would be the last time any of them heard or saw one other again."
This book, like Podlaski's tour, is in 2 parts. Podlaski served as an infantryman in both the southern part of Vietnam as a member of the Wolfhounds, 25th Division and in the northern part of South Vietnam at the end of his tour. There he was attached to the 501st infantry Brigade of the 101st Airborne Division. It was like 2 different wars entirely, with different uniforms and tactics used in the different tactical zones. This reality is translated into the story line. Podlaski summed up his frustration of the war with he following comment, as he thought his tour was over: "No more humping, ambushes, eating C-rations, and having to carry the weight of another person on your back. Goodbye Vietnam! Good Riddance! And good luck!" This comment he made when he incorrectly thought his tour with the Wolfhounds was over. Podlaski erroneously "thought" he would go with them in their redeployment to Hawaii. Instead, he was sent to the 101st Airborne Division in the northern part of south Vietnam to finish his tour. However, when he finally did arrive back home, and deplaned from the "freedom bird" (airplane) that finally brought him home, Podlaski, mimicking countless other accounts and memoirs, had the following classic commentary about his protagonist, John Kowalski. "Pollack (Kowalski's nickname) had changed physically, rarely paying any attention to it in Vietnam. He remembered that upon leaving for war, he weighed 196 lbs. and had a 36" waist. That day, he weighed 155 lbs. and had a 29" waist. Pollock did not regret anything he did during his time in Vietnam. He was the only person from his graduating class and group of friends that went to Vietnam, so nobody could share his experiences or even have the faintest idea of what he'd gone through. Friends and family tried to understand but they weren't quite able to comprehend what he told them. He was only able to get so far before they lost interest or rolled their eyes. In their minds it was just a bunch of war stories that he was blowing out of proportion. After all, it was impossible for somebody to go through that." How sad! This is a case of P.T.S.D. waiting to happen, and undoubtedly this scene is occurring today with veterans returning form the Middle East. There are way to many more stories, examples and iota to mention, but you are just going to have to read "Cherries" for yourself. I read it twice, something I rarely do! By reading "Cherries" you will get the knowledge and feel of what it was like in Vietnam, stories that many memoirs of this war collectively failed to mention! Highly recommended!

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Reviewer  Bernie Weisz is a historian of the Vietnam War located in Pembroke Pines, Florida U.S.A. Contact e mail: BernWei1@aol.com

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Ekphrastic Poetry: Joyce White Sculpts the Heart

Sculpting the Heart’s Poetry
Subtitle: While Conversing with the Masters
By Joyce White
Publisher: Lulu.com
Publication Date: 2009
ISBN: 978-0-557-22371-8

Reviewed by Fran Lewis for IJustFinished.com

Ekphrasis poetry is said to be a conversation between two pieces of art. The poet or writer interprets the piece of art and creates a narrative verse that depicts or represents his/her reaction to that painting, picture or piece of art. This form of poetry dates back to ancient Greece. This type of poetry is used to describe something. The term Ekphrasis has often been referred to when describing works of visual art in a poem, not with a description in general, or with description of other kids of art. The poet responds to the direct stimuli of a piece of art together with his/her own experience in the moment. This type of poem can be a description of the artwork, a story that comes to the mind of the poet while viewing this piece of art, or a poem describing the scene or experience in which the piece of art is placed.

Author Joyce White in her book Sculpting the Heart’s of Poetry creates stories within her poems, elicits feelings and emotions in the reader as you take this journey along with her and learn about life, people, the masters, painters, real life experiences and much more.

Each poem has its own voice and its’ own special message conveyed by the author. As she relates how she feels about her mom who has passed on and her feelings of anger and frustration I can see the tears being shed and hear the screams that follow when she is angry. In the first poem she sets the tone for the many faces of every woman, her good, bad, recalcitrant, obstructive and unhappy. The moods she depicts in the first part of her anthology of poems helps the reader better understand the many phases that woman go through. I became enthralled with the picture of the hands. In my mind is depicted the generations of life from start to almost finish. As you look at the smoothness of the child’s hand and then move on in progression to that of the others as they age, you feel time slipping by and the many generations of a family depicted in each hand.

Next, the author introduces a second chapter as she speaks to the Masters of Painting and Art. As an artist shapes, creates, forms with precision a piece of sculpture so does the poet create and sculpt these vividly depicted and storytelling poems. From Picasso’s Cubism art with paintings that tell a story of their own with women that intrigued him, our poet paints a true picture of the greatness of this painter.

Van Gogh’s Starry Night is my favorite painting and I have a copy of it hanging in my living room. The picture depicts a small village on a cool night. You can feel the breeze, the chill in the air and smell the freshness that the painter creates in this beautiful painting. The swirls in the sky and the eerie feeling evoked cause the painter and the poet to express a feeling of despair, uncertainty and misunderstanding.
Emotions come through in the next chapter titled Comedy /Tragedy as the author compares tears to that of polliwogs swimming and looking through the eyes of a person functioning more efficiently. It would be great if we could wash away our tears and our sorrows and think of positive ways to make others happy. The other poem that I loved was Springtime Choices. You can smell the freshness in the air and the joy that embodies each of us when the leaves turn green and the world is so beautiful when Spring returns. The author goes on to write about Insects Compared to Man and she vividly describes the inner most thoughts of an insect, its physical appearance and how we are alike in many aspects making the reader wonder about why we are so concerned with light and even death. We need to enjoy nature’s beauty and embrace life more.

There are so many outstanding poems in this part of the book that you will have to read and enjoy each one and decide for yourself, which are your favorite. Mine is White on White. The world would be dull and bland if everything and everyone White or Black. The different colors of nature, the trees in fall, the painter’s pallet or even a box of crayons provides the variety that we need to make things our own and the world so beautiful. Imagine if all dogs were black and all birds were white. We could not tell them apart except by breed, we would all be the same and the differences we need to embrace in each other and the world would be gone.

Finally the author comes full circle in the last section titled The Circle of Life. Describing the despair of an Alcoholic and his dismal view of life, Hermit’s Poets and the dilemma of camouflaging himself from the world not to be noticed and his vague and depression outlook on life followed by Ribbons, Bows and Pink Lace which is really quite unique and varied in its subject. The author writes in the first person the evolving of a young girls and the changes that happen within her and the things that make her happy growing up and the same things that she loves as she ages. The poem Growing Love brought tears to my eyes since I just lost my sister, my best friend. As the author tells of her feeling toward her mom and how she feels about her loss and finally joining her, you can feel the love that will never be gone. The final poem you will have to read for yourself where it all comes to together and her true feelings about her mother and her life come together.

Author Joyce White sculpted, created and shares her Ekphrasis poems with the reader helping us enter a literary world that is unknown to many. These poems are interesting, each one tells a story of its own and the pictures speak to the reader/viewer and you can feel the emotions emitted in them as you read each poem and look at each picture and understand their true meaning.

Happiness, joy, sadness, sorrow, life’s mysteries and discoveries are just some of the emotions and events shared in this outstanding book. This is a book that everyone will enjoy reading. Every reader will get something different out of it creating his or her own perspective and viewpoint. For those teaching college classes this book would be a great resource. For those who want to write poetry that tells a story and interacts with the reader this is a great resource to help you understand the form of poetry and how to use pictures, stories and events to write them.
I really enjoyed reading this heartwarming, well written and vividly depicted events which allowed the reader to form her own mental images of what the poems are saying and how to visualize them in her mind.

Synopsis by Author Joyce White

Expressing myself creatively in my first book, Sculpting the Heart: Surviving Depression with Art Therapy, I felt like I’m way out there, a strange observer from a strange land. Everyone says what we know. I know from years of depression, it takes years of unlearning abusive behaviors. I also know words are healers whether we’re writing them or reading them. I kept my mind flexible and open to those like Picasso, Van Gagh and Jung who came before me. Many of my poems are in responses to their art. We who write poetry make everything a game. We like to play the game “what if?” We keep our ears open and our fingers busy. We like to replay the past and give it our own spin. We play connect-the-dots with words and feelings, playing close attention to the sound and flow of our memories, as well as their arrangement on the page. Joyce Carol Oates says,
”You may discover your best poems while writing your worst prose.”
My inner poet lived patiently in me until about my forties. After I finished my first book of prose, it was then like Joyce Oates says, “I broke out in proem.” My poems all grew out of intellectual irony, childhood memories, my faith and/or emotional attachments. I found as soon as you connect with your true emotions, you can sculpt your heart with poetry. Poetry is like short-handing prose. It is my opinion my own inner poet tries to help me embrace my readers in a cloak of proem armor.

I celebrated my new self-esteem in my new book, Sculpting the Heart’s Poetry, while Conversing with the Masters. I’ve learned to use writing, art and poetry to resolve inner conflicts, reduce stress, as well as increase my own self-esteem and self-awareness. I’ve replaced my fears of “not being a good enough” to fears of “not living long enough” to appease my inner poet. I’m called in several blogs, “Winged for Art Therapy,” I’m happy to be a writer, artist and author and I hope others will find their own divine purpose by celebrating mine.

Joyce White

Fran Lewis reviews for Ijustfinished.com Read her reviews on face book on reviewers roundup.

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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using the widget below:


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Wall Street Journal-Quoted Expert Reviews Marketing Book

Review of Frugal and Focused Tweeting: How-To Tweak Your Tweets and Integrate Your Online Presence
By Carolyn Howard-Johnson
ISBN: 9781451546149
Available on Amazon: http://budurl.com/Tweeting4Retailers

Reviewed by Michelle Dunn

With Social Media dominating every aspect of business especially marketing, Carolyn Howard Johnson is sharing practical marketing practices using social media that anyone can use. While businesses everywhere cut their marketing budget due to the economy, the handful that keep marketing and using Carolyn's books to help them be successful will be the last ones standing.

It is obvious Carolyn loves what she does and is good at it, lucky for us she is willing to share her tips and techniques in her book subtitled How to Tweak your Tweets and Integrate your Online Presence so that we can share in that success.

If you know nothing about Twitter but want to learn how you to can use it as a successful marketing tool pick up this book. It is the only book on Twitter marketing that you will need.

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Reviewer Michelle Dunn is an internationally known credit & debt collection expert. Michelle she is the award winning author of 13 books, a columnist ,and marketing expert. She has been featured on CNN, Forbes, Smart Money magazine and is often quoted in the Wall Street Journal. Learn more at www.MichelleDunn.com.

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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using the widget below:


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Quick Study for Great First Impression Book Proposal

The Great First Impression Book Proposal

Subtitle: Everything You Need to Know to Impress a Publisher in Twenty Minutes or Less
By Carolyn Howard-Johnson
ISBN 9781453690956
$6.95

First reviewed for Amazon by Robert Medak
Four of five stars

The Great First Impression Book Proposal is a book that all authors need to get past the gate keepers as Carolyn refers to them in her books. This book is by no means a step-by-step plan, but it does give you the basics for publishing your book.
The publishing industry has changed. In today’s environment, more is placed on the author to make a good impression on agents, editors, and publishers if they want to get their manuscript published.

The first impression is all you have to get the attention of those that hold the publishing purse strings. If you do not create something of value for their time and effort in your first impression your chances of becoming a published diminish greatly.

Carolyn’s The Great First Impression Book Proposal while not guaranteeing publishing does offer things that will aid you in the possibility of becoming published.

The Great First Impression Book Proposal is another in a series of little $6.95  pamphlets about various aspects of writing, editing, and publishing including Great Little Last-Minute Editing Tips for Writers.

This is a book that anyone considering writing for publication should read. In fact, they should read all of Carolyn’s pamphlets about writing. Some may feel that they know the information in Carolyn’s pamphlets; even prose will find they are still a good source of information and review of what authors need to know about getting past the gatekeepers.
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The reviewer is an editor and reviewer.

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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :


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luni, 1 noiembrie 2010

Eardajan Reviews New Holly Weiss Novel

Crestmont
By Holly Weiss

Author website http://www.hollyweiss.com/
Historical Fiction
ISBN 978-1-935188-10-0
Publisher: StarPublish LLC

"Blossoms of another time float on the breeze of a book"

Reviewed by Erdajean for Amazon.com

Erdajean awarded Crestmont five stars on August 24, 2010

Needed: an Adirondack chair, a cool, tall glass, and a transporting story, like this one, to leave the current age of tabloid trash and in-your-face dysfunction far behind.
Holly Weiss does not quite tell us why hopeful young singer Grace Antes was an unhappy girl, in her small-town Pennsylvania home. Or why her family, devout Moravians, seemed to care so little about her that no one went looking, when, with no adieu, she set out in search of a better life.
What Ms. Weiss does is to plant her gentle heroine in an excellently-drawn era of social stoicism, when "a family's business stays at home!" Any intimation of pain, personal angst (or ecstacy!) was considered Vulgar. Jerry Springer and Oprah would have found the well dry, in that time, when polite ladies still addressed their closest friends as Mrs. Smith and Mrs. Jones, and husbands were "The Mister."

It is a major act of daring when, once liberated, Grace bobs her hair, in timely flapper fashion, and then renames herself "Gracie," maybe the first frivolous thing she's ever done.
It becomes, increasingly, a joy to watch from the lakeside shadows as this lovely, innocent and gutsy young woman takes on the world, in the milieu of an old-time, upper-class resort, where she is maid, confidante, unwitting rival and, increasingly, object of affections.
The aura of the staid, class-conscious and studiedly non-intimate society holds well, throughout. There are things the reader would have loved to be privy to, along the way, and a few loose strands dangling, at the end. What really became of nemesis Bessie -- who WAS vulgar? And what happened to the men Gracie loved, but could not, would not marry?

Oh well -- that's the way it was, in that time -- it was just thought too coarse and common to let it all hang out!
A really good read, and recommended.

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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :


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marți, 19 octombrie 2010

Joyce White Reviews Prize-Winning Poet

Song of the Wayward Wind… and Other Poems
By Margaret Havill “Mandi” Reid
128 Pages
ISBN: 1-4116-2343-6
Buy new: $17.95
Also available for Kindle

Reviewed by Joyce White

Song of the Wayward Wind… and Other Poems  is a poetry book but if you look deeper, it is also an art book with beautiful womanly illustrations and verse straight from the soul of the author. In her poem, No Sinner, Margaret says, “I am no sinner, any more than you. We each of us, make do, as best we can/ To compensate for inequalities/ Bequeathed us from our genes, as any man…” ending with perhaps…The dye was cast unfairly from the first, That makes our best like someone else’s worst.” Who but a loving teacher would grade the best and worst “equal?”

In her poem, Could it Be then, God? - - we got it wrong? She leaves us with the question of whether we as sinners misread the Ten Commandments. “Had we as humans…misread the message encoded in your parable of Sin?”

In her poem, That Apple, she describes, “That apple thing. It just won’t wash, our time. For her one bite, we’re all cast into slime?” I get the feeling she was not talking about just Eve in the Garden of Eden; but about most of us women who are tempted to forsake our core values to stand equal among men. Margaret was highly motivated in equal rights for women.

In her poem, The Coming of Wisdom, a 13-year old girl is as eager as she is afraid of morphing into woman. The girl wonders, “Shall she romp on skates and swings or lean on the arms of kings?” I feel both were questioning why most of us girls are taught to lean on rather than support our men? In this day and age, so many of us women have to be strong to support our men who are unemployed or overseas at war.

In Ode to Wisdom, Margaret’ romanticizes about young maidens with enlightened souls from Time’s slow mill, Still speak through scrolls and books to waiting hearts; their inspiration breathes; their fires still blaze…Inscribed her songs of love. We hear them still. For where she walks, her music ne’er departs.”
In My Face Margaret festers about aging, “O Aphrodite, were you kind as fair, and turned a furrowed face upon the world and hailed all wrinkles signs of beauty rare and evidence of wisdom yet unfurled, What misty lovers now would crowd my face To find the fount of beauty, love and grace?”

One of my favorite paintings is Chagall’s, The Village, and Margaret pays homage to this painting in her Ekphrasis Poem, Chagal, “Come then Chagall and occupy our skies, Set merry fiddlers dancing on our roofs…As sea-green cows, it seems, somnambulate as easefully as images in dreams. Your skies, Chagall, bring magic to the mind to make us see where intellect is blind.” Check out Chagall’s painting at http://en.wikipedia.org/wiki/I_and_the_Village. An Ekphrasis poem is what I like to call…a conversation between two works of art, in this case her poem and the painting.

The title of this book and poem, Song of the Wayward Wind, was named Poem of the Year by the Central Coast Poetry Society in 1993 and is making a comeback with my favorite lines describing a darkened forest, “…You knew the time before my father’s time, and my father’s father keeping your peace, keeping our secrets, still.”

Margaret ends her 128 Page, 8-1/2x11 Poetry & Art Book, with Unexpected Gifts, “New ways of thinking unwrap, never then despair” This is absolutely gold for those who enjoy poetry and abstract art that is wonderfully illustrated by Margaret Havill “Mandi” Reid. Smooth and easy reading. FIVE STARS for Amazon.

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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :


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Jeff Maziarek Reviews Walking Through Illusion

Title: Walking Through Illusion
by Betsy Otter Thompson
http://www.betsythompson.com
Nonfiction: Spirituality

Originally reviewed by Jeff Maziarek for Amazon.

Five Star Review

Walking Thorough Illusion features a group of short stories about people in the Bible who had some association or awareness of Jesus. As a person who is not in any way drawn to conventional religion, I was at first skeptical regarding any value this book might bring to me. However, since it was recommended to me I decided to keep an open mind as I began reading it.

It took just a couple of chapters for me to get really drawn into this work. The author very creatively sets up each chapter (or story) as a fictional conversation between herself and Jesus about a particular topic, (e.g., obstacles, morality, approval, curiosity, death, time), but the content is by no means dogmatic in any way. I must admit I was very impressed the way in which the author was able to effectively distill the essence of the teachings of Jesus in a very practical, non-religious manner. In summary, I found this book to be very well-written, and both inventive and highly thought-provoking. I highly recommend it as a spiritual and personal growth resource. Here's one of my favorite passages from it:

"I believe that God is a power within - not a power that is only met upon death. If that's true, it simplifies things, don't you think? No more dialogues about whose God is valid and whose God is not since every soul is equally valid. No more wars in the name of God since God is you, me, and everyone. No more posturing that God told me to do this and God told me to say that since God isn't separate from the speaker. No more worries about taking the name of God in vain since you might as well be cursing yourself. No more religions claiming that they have the one true path, since every path that offers a person love is the path of true redemption. No more guilt for breaking God's rules since the rules we have are the ones we've given ourselves."

About the author:
Betsy Otter Thompson may be found at http://www.facebook.com/people/Betsy-Otter-Thompson/1026372698 and http://linkedin.com/pub/betsy-otter-thompson/23/549/a9b . She blogs at http://www.betsyotterthompson.blogspot.com and tweets at
http://www.twitter.com/betsyothompson.

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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :


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October NYRB Classics

By Bruce Duffy
Introduction by David Leavitt

Irreverently trespassing on the turf of history, biography, and philosophy, The World As I Found It re-imagines the lives of three very different men, the philosophers Bertrand Russell, G. E. Moore, and Ludwig Wittgenstein.

At the center of the book is Wittgenstein, one of the most magnetic philosophers of our time: brilliant, tortured, mercurial, and forging his own solitary path. Playing in counterpoint are his two reluctant mentors: Bertrand Russell, past his philosophical prime yet eager to break new ground as a public intellectual, educational theorist, and sexual adventurer; and G. E. Moore, the great Cambridge don who was devoted to the pleasures of the table and pure thought, until, late in life, he discovered real fulfillment in marriage and fatherhood.

Bruce Duffy’s novel depicts times and places as various as Vienna 1900, the trenches of World War I, Bloomsbury, and the colleges of Cambridge, while the complicated main characters appear not only in thought and dispute but in love and despair.

“By turns wicked, melancholy, and rhapsodic, The World As I Found It is an astonishing performance, a kind of intellectual opera in which each abstraction gets its own artist.”
—John Leonard, Newsday

Read David Leavitt’s Introduction to The World As I Found It

Bruce Duffy will appear at Politics & Prose on Saturday, October 16th, at 7 pm. (see below)

cover Retail: $19.95
Special Offer: $13.97
(30% off)
By Millen Brand
Afterword by Peter Cameron

The Outward Room is a spare, deft novel that traces one woman’s path from mental illness to trust, recovery and love.

Harriet Demuth, having suffered a nervous breakdown after her brother’s accidental death, has been committed to a mental hospital. Convinced that only she and she alone can refashion her life, Harriet escapes from the hospital, hopping a train by night and riding the rails to New York City. It’s the 1930s, the midst of the Great Depression, and initially Harriet is lost among the city’s multitudes. She runs out of money and is living an increasingly hard existence when she meets John, a machine-shop worker. Slowly she begins to recover her sense of self and Harriet and John fall in love. The story of that love, told with the lyricism of Virginia Woolf and the realism of Theodore Dreiser, is at the heart of Millen Brand’s remarkable novel.

“As devoid of sentimentality as a blizzard, and yet a great love story—a real love story.” —Sinclair Lewis

Read Peter Cameron’s Afterword to The Outward Room
View the Reading Group Guide

Peter Cameron will discuss The Outward Room on Wednesday, October 27th at 7pm at Barnes & Noble, Upper East Side, NYC, and on Wednesday, November 3rd at BookCourt in Brooklyn. (see below)

cover Retail: $14.95
Special Offer: $11.21
(25% off)

Boston Book Festival
Saturday, October 16th, 10 am – 6 pm
Copley Square

Stop by the NYRB table at the Boston Book Festival. A selection of titles will be on sale at discounted prices. For more information click here.

Bruce Duffy on The World As I Found It
Saturday, October 16th at 7 pm
Politics and Prose
5015 Connecticut Ave. Washington, DC 20008
202-364-1919
For more information click here.

Peter Cameron on Millen Brand’s The Outward Room

Wednesday, October 27th at 7 pm
Barnes & Noble
150 Lexington Ave at 86th Street, NYC
212-369-2180
For more information click here.

Wednesday, November 3rd at 7 pm
BookCourt
163 Court Street (between Pacific and Dean), Brooklyn
718-875-3677

October 12, 2010 3:37 p.m.


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joi, 14 octombrie 2010

The Long Ships

We are delighted to announce that, though published just this month, Frans G. Bengtsson’s The Long Ships has already received two reviews. The San Francisco Chronicle and NPR.org both herald Bengtsson’s novel as a thrilling, intrigue-filled read perfect for the summer.

The Long Ships, originally published in Swedish in 1941, is an epic adventure set in the fantastic world of the tenth century AD. The NYRB Classics edition includes an introduction by long-time enthusiast Michael Chabon, who calls it “a novel with the potential to please every literate human being.”

Chabon is also the novel’s reviewer and recommender for The San Francisco Chronicle, where he champions The Long Ships as this summer’s most exciting read: “It’s thrilling, beautifully written, dry and witty and touching, a classic but little-known historical adventure novel by the Swedish novelist, just out in a handsome reprint from the New York Review of Books, though marred by a tiresome introduction by some windbag.”

Michael Schaub, writing for NPR.org, places The Long Ships at the top of his list of “Historical Fiction: The Ultimate Summer Getaway.” “If you want to be taken back to a time when, say, the ocean was full of Viking long ships instead of leaking oil,” he writes, “wait no more… Even readers with zero interest in the Europe of a millennium ago will want to keep turning the pages. All novels should be so lucky as to age this well.”

Schaub and Chabon agree that The Long Ships is a timelessly entertaining text—it is an escapist indulgence perfect for the summer months.


Retail: $17.95
Special Offer: $13.46 (25% off)

July 13, 2010 11:23 a.m.


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Banned Books Week

September 25th marks the beginning of Banned Books Week. The observance began 28 years ago in response to the alarming number of books that are challenged each year by individuals and governments.

Since its inception, the week has served as a celebration of intellectual freedom and the importance of the First Amendment. NYRB Classics salutes Banned Books Week and the insuppressible power of the written word. Here are a few of the unforgettable authors we have brought back into print who have faced censorship in the United States and elsewhere:

Sigizmund Krzhizhanovsky
Author of Memories of the Future
This book collects some of his finest stories that were banned in Russia.

Alberto Moravia
Author of Contempt and Boredom
Banned from publishing under Mussolini, and with many works on the Catholic Church’s index of censored books, he emerged after World War II as one of the most admired and influential twentieth-century Italian writers.

Edmund Wilson
Author of Memoirs of Hecate County
Attacked in court when originally published in 1946 and banned in New York state for several years, “The Memoirs of Hecate County” contains six related stories and novelettes, including the infamous “Princess with the Golden Hair.”

Vladimir Sorokin
Author of The Queue and Ice
His work was banned in the Soviet Union, and The Queue, was published by the famed emigre dissident Andrei Sinyavksy in France in 1983.

Andrey Platonov
Author of Soul and The Foundation Pit
The Soviet writer Andrey Platonov saw much of his work suppressed or censored in his lifetime.

Vasily Grossman
Author of Life and Fate, Everything Flows, and The Road
On its completion in 1960, Life and Fate was suppressed by the KGB. Twenty years later, the novel was smuggled out of the Soviet Union on microfilm.

Banned Books Week is sponsored by the American Library Association, the American Booksellers Foundation for Free Expression, the Association of American Publishers, the American Society of Journalists and Authors, and the National Association of College Stores, and endorsed by the Center for the Book of the Library of Congress.

September 24, 2010 5:12 p.m.


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miercuri, 13 octombrie 2010

A Labor Day Trip with Georges Simenon

New York Review Books would like to wish you a Labor Day unlike Steve Hogan’s.
The protagonist of Georges Simenon’s dark psychological thriller Red Lights, Steve is one of the millions of Americans hitting the highway on the Friday before Labor Day weekend. He and his wife, Nancy, are traveling from New York City to Maine, where their children are at summer camp. But somewhere in the midst of the thick traffic and heavy drinking of the trip, Steve “goes into the tunnel”: a mental fugue characterized by pathological uncertainty, dangerous strangers, and the uncanny.

Red Lights, one of the prolific Simenon’s nearly two hundred novels, is remarkable for its flawless American flavor. It combines the distinctive ingredients of the romans durs—chilling clarity, a strange departure from normal life, and a moment of rapture that will ensure the plot’s downfall—with the sensory detail of the American public holiday.

Simenon’s thriller, heralded by New York Magazine as “a truly chilling road trip novel,” was also named by Men’s Journal as one of the “15 Best Thrillers Ever Written.” Red Lights is a gripping read with an extra shot of spine-chill this September 6; we dare you to read it.

For a limited time, NYRB Classics is offering Red Lights and all Simenon titles in the series for 25% off.

August 31, 2010 10:22 a.m.


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The Lonely Passion of Judith Hearne

We are especially pleased to announce the publication of The Lonely Passion of Judith Hearne, selected by The Guardian as one of 1,000 novels you must read before you die. Take advantage of a limited 25% discount on this most recent NYRB Classic, and discover the elegant craft of Brian Moore’s debut novel that launched his distinguished literary career.

By Brian Moore
Afterword by Mary Gordon

Dreary minutes marked the days, but Miss Hearne put loneliness aside on Sunday morning. She was the definition of a city spinster, brought up in Belfast with no family save for an ailing aunt she spent her youth nursing, and barely any friends. She scraped by with an inherited annuity and the earnings from a few piano lessons, moving from boarding house to boarding house—always in what used to be the best parts of the city—and stitching herself further into the seams of a solitary life. But like a new key, Sunday offered threads of opportunity. It was a dependable day for communion (even if it was coerced), and a chance for her to make new impressions, to confess her secret vices and forgive her indiscretions, and above all, it was a new chance to believe that there was something more to passion than suffering, and that maybe, this time, love might finally find her.

The breakfast table at her new boarding house on Camden Street was where she met Mr. Madden. He was an American, or rather an Irishman who’d lived in America for quite some time. His reasons for return were not entirely unclear, although he was surely wealthy from working in the hotel business there. Perhaps he too was looking to open a new door, settle down, and start anew? There was something deeper to him—something darker, she knew the signs—but she would choose to put aside prejudice and wouldn’t pry, because time was ticking and unlike other men, he didn’t look away when Judith caught his eye.

A romance of any sort in a boarding house does not go unnoticed, and soon hushed whispers of disapproval are heard throughout the hallways, especially from the landlady, Mr. Madden’s sister. With her worldly passions threatened and her secret life possibly exposed, Judith turns to The Church that she could once rely on. What she finds instead is a cold confessional full of impassivity—one that fails to bring her any comfort, and which sends her faith further into crisis. She has no option but to repent. After all, penitence gives strength, and attrition leads to absolution. But tell that to a lonely soul, facing an eternity of dreary day after dreary day.

Made into an award winning movie starring Maggie Smith and Bob Hoskins, Brian Moore’s compassionate portrait of a woman trapped by disillusionment and destroyed by self and circumstance has forever enshrined Judith Hearne in the gallery of literature’s unforgettable women.

A “very fine writer, also seriously neglected…I just don’t understand why he hasn’t yet won a wider audience. Every good writer I know admires his work. I’ve always thought Judith Hearne is a masterpiece.” —Richard Yates

“Brian Moore [wrote] a superb first novel; The Lonely Passion of Judith Hearne reads as freshly, and as heart-breakingly, today as it did when it first appeared in 1955.” —John Banville

“The Lonely Passion of Judith Hearne is, to my notion, everything a novel should be.” —Harper Lee (New York Times, 1960)

View the reading group guide (pdf)

cover Retail: $14.95
Special Offer: $11.21
(25% off)

Wish Her Safe At Home
By Stephen Benatar
Introduction by John Carey

An unexpected inheritance frees Rachel Waring from her dreary life. But will her newfound joie de vivre free her from her grasp on reality as well? Benatar’s brilliantly subjective storytelling keeps the reader guessing till the very end.

Retail: $15.95 | Special Offer: $11.96 (25% off)

The Slaves of Solitude
By Patrick Hamilton
Introduction by David Lodge

Recounting an epic battle of wills in the claustrophobic confines of a boarding house in World War II London, Patrick Hamilton’s novel, with its delightfully improbable heroine, is alternately bleak and hilarious. The Slaves of Solitude is a favorite of such writers as Sarah Waters and Nick Hornby.

Retail: $14.95 | Special Offer: $11.21 (25% off)

Cassandra at the Wedding
By Dorothy Baker
Afterword by Deborah Eisenberg

Dorothy Baker’s fascinating tragicomic novel follows an unpredictable course of events in which Cassandra appears variously as conniving, self-aware, pitiful, frenzied, absurd, and heartbroken—at once utterly impossible and surprisingly sympathetic.

Retail: $15.95 | Special Offer: $11.96 (25% off)

June 18, 2010 11:17 a.m.


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A Letter from the Editor

“The month of January. Night time. North wind blowing. The fire in the hearth was going out.” This is where Alexandros Papadiamantis’s The Murderess begins—in cramped, dark quarters on a dirtpoor island in the Aegean Sea. A man snores, a sleepless woman tosses and turns, a baby coughs and cries. It is a hundred years ago, but it could be anytime, and it goes on. Hadoula, a woman of sixty or so, an old witch her neighbors say, is trying to rock the baby, her granddaughter, to sleep, even as she gives way to “bitter wandering thoughts.” All her life Hadoula has shown herself to be a clever, industrious, tough woman, and yet now it strikes her:

She had never done anything except serve others. When she was a little girl she had served her parents. When she was mated, she became a slave to her husband, and at the same time, because of her strength and his weakness, she was his nurse. When she had children she became a slave to her children, and when they had children of their own, she was slave to her grandchildren.

Her life, or anywoman’s. Boys are frail and often die. Grown up, they go away to sea or America. Women are left behind looking after the helplessly young and the hopelessly old, struggling to scrape together dowries for daughters so that their daughters can enjoy the same life their mothers are sick of. Hadoula finds herself hoping against hope that her sickly granddaughter will die. And then she realizes that she can take fate into her own hands. “That was all,” the story goes.

Crime is freedom. Day breaks. Hadoula, unsuspected, leaves the house of mourning and goes to the mountains to pick herbs. She looks for a sign that God approves what she has done. Papadiamantis is as extraordinary a describer of the natural world, full of mingled welcome and menace, as he is of the toiling mind and heart:

The old woman climbed higher up to the steep top of the valley. Below her the river cut deep through the Acheilas ravine, and its stream filled all the deep valley with soft murmurs. In appearance it was motionless and lakelike, but in reality perpetually in motion under the tall and longtressed planes. Among mosses and bushes and ferns it prattled secretly, kissed the trunks of the trees, creeping like a serpent along the length of the valley, green-coloured from leafy reflections, kissing and biting at once at the rocks and the roots, a murmuring, limpid stream, full of little crabs which ran to hide in piles of sand, while a shepherd, letting the little lambs graze on the dewy greenery, came to lean down over the water, and pull out a stone to hunt them with.

Crime is freedom, but also compulsion. It is a new world that must be discovered again and again. Eventually, Hadoula’s own uneasy conscience leads her to flee her village and family. Two policemen (Papadiamantis always identifies them as the two policemen, as if they were interchangeable) pursue her. They are as clueless and bumbling as the Keystone Kops—Hadoula always evades them—and yet, stupid as they are, they are always still there, still on her trail. Hadoula flees to the mountain at the center of the island and she flees to the sea. She seeks open space, the opposite of the cramped, abysmal conditions that she has endured throughout her life, but then there is nowhere left for her to flee.

A feeling of inescapable confinement is central to this stark and startling short novel, even as the story is no less about the irrepressible desire to break free. After her initial crime, Hadoula can find no rest. She has left behind the life she was born to only to find that she is haunted by herself. She has discovered herself as a crime seeking solution, or, more traditionally, a sinner salvation.

This restlessness and searchingness is captured in the very language of Papadiamantis’s book, which mixes registers that are often kept apart: the sacred and the secular, the profane and the profound, the cruel and the comic. It is a wild book. Papadiamantis, who lived from 1851 to 1911 and is commonly described as the founder of modern Greek fiction, is notoriously hard to translate. The translator, the late Peter Levi, a fine poet who served as the Oxford Professor of Poetry, discusses the difficulties and how he dealt with them in his introduction to The Murderess. What he came up with here—with a little help, he acknowledges, from John Berger—is beautiful and strange and a real work in English. Listen, for example, to the liquid tones and artful repetitions in the river passage quoted above.

What kind of book is this? A murder story, obviously, and a story of flight and pursuit. It is also a story of self-discovery and self-abandonment. It is certainly a story that holds the reader’s attention through and through. Readers may be reminded of Faulkner and Flannery O’Connor, of The Mayor of Casterbridge or Camus’s The Stranger. Above all, it’s a book that hails from the borderlands. Papadiamantis wrote it at a time and in a place that lacked immediate models for such an endeavor. The novel was a novelty. He had read the new French realists and longtime popular fixtures like Dumas and Walter Scott. At the same time, he had studied to be a priest and was steeped in the old Greek liturgy. From these unlikely elements, he had to fashion not just a story but a new language and a whole genre. It’s that, I think, that gives this work its uncanny power, the power of first discovery. Encountering this book, about a woman’s desperate effort to defeat the inevitability of fate, we feel the force of Papadiamantis’s own primal encounter with the possibilities of fiction.

A last word. Long ago, Ben Sonnenberg published a fine piece about Papadiamantis by Maria Margaronis in his magnificent quarterly Grand Street. It was a rare notice of this great writer in English, and I remember feeling that I must read him. So much began with Ben, who, though confined for many years to a wheelchair, possessed a sensibility and intellect of marvelous reach and agility. He died in June. He was a great supporter of New York Review Books and a dear friend. To his suggestion, NYRB Classics owes Tibor Dery’s Niki and a series of new translations from great Spanish authors that we will publish in years to come. To our Children’s Collection, he contributed The Bear That Wasn’t and The Sorely Trying Day. He is greatly missed. Who will tell us what to do next now?

Edwin Frank, Editor
NYRB Classics


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The Jokers

“The day promised to be exceptionally torrid.”

So Albert Cossery begins his novel, The Jokers, a tale that, from its opening sentence, is packed with charged wit and barbed satire. The Jokers, an NYRB Classics Original appearing in its first English translation, has been making headlines since its July publication.

The San Francisco Chronicle includes The Jokers on its list of July “Grabbers”: new books with gripping first sentences. And Benjamin Moser, in the August edition of Harper’s Magazine, writes a resounding description of the novel:

“We’re in a country much like Cossery’s native Egypt, which he left in 1931 to spend most of the rest of his life in a Parisian hotel. There, at a rate of one novel per decade (one sentence per week, he claimed), he composed a body of work whose primary theme is the relation of power to powerlessness.

The Jokers describes how a motley group of fainéants conspire to bring down an odious governor by printing and distributing posters that praise him so extravagantly that even the police, whose job it is to ensure oleaginous devotion to their boss, grow concerned…As the conspirators begin to score successes against the governor, who is increasingly enchanted by his own propaganda, Cossery introduces a Dostoevskyan figure, Taher, whose former friend Karim, the author of the seditiously ass-kicking poster, was once, like Taher, a hardened revolutionary. Now Karim dedicates himself to political tomfoolery and leisurely dalliances with prostitutes; Taher is outraged that the police think he and his comrades would have anything to do with such frivolity. ‘They make us look ridiculous to the police. And I don’t like that. We’re not pranksters!’”

The “grabbing” satirical edge of Cossery’s novel invites mayhem, laughter, and reflection—it promises, in other words, to be an exceptionally torrid read.


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August 16, 2010 5 p.m.


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My Dog Tulip

My Dog Tulip, J.R. Ackerley’s wickedly hilarious ode to his beloved (and uncouth) German Shepherd, was the first title to be published in the NYRB Classics series. Now, eleven years later, we are delighted to announce the release of a new animated feature film based on Ackerley’s memoir.

Written, directed, and animated by award-winning filmmakers Paul and Sandra Fierlinger, My Dog Tulip will premiere on September 1, 2010 at Film Forum in New York City, followed by a national release in Philadelphia, Boston, the Bay Area, Los Angeles, Seattle, Washington DC, and Denver. My Dog Tulip features the voices of Christopher Plummer, the late Lynn Redgrave, and Isabella Rossellini.

The Fierlingers’ film is a delicious retelling of Ackerley’s familiar story, which Christopher Isherwood described as “one of the greatest masterpieces of animal literature.”

In celebration of the film’s release, NYRB Classics has reissued My Dog Tulip with a new cover image featuring the animated couple.


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August 24, 2010 12:30 p.m.


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Books to be Reviewed: The Seven Gifts That Came To Earth by John Mellor

Thanks to John Mellor for sending me a copy of his book, The Seven Gifts That Came To Earth, for reviewing. This is a story of a boy, charged by an Angel, to deliver seven gifts to earth, but first he must discover what they are.

"Seven precious gifts are bestowed on the Earth but not revealed. A young boy is charged with finding them."

"The singer emerged and his music raged across the land, a wild, swirling cloud of chords, laying waste like locusts to all that was soulless before it."

"I come not to bring peace, he said."

A review will soon follow here, until then readers can order a copy on John's website; The Seven Gifts.


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marți, 12 octombrie 2010

Books to be Reviewed: The Monster of Florence by Douglas Preston & Mario Spezi

Thanks again to Julia Pidduck for sending me a copy of The Monster of Florence by Douglas Preston and Mario Spezi for reviewing. This book documents the true story of Italy's very own "Jack The Ripper"; a serial killer who has gone unpunished despite over 20 years of police work.

"Douglas Preston fulfilled a lifelong dream when he moved with his family to a villa in Florence. Upon meeting celebrated journalist Mario Spezi, Preston was stunned to learn that the olive grove next to his home had been the scene of a horrific double murder committed by one of the most infamous figures in Italian history. A serial killer who ritually murdered fourteen young lovers, he has never been caught. He is known as the Monster of Florence.

Fascinated by the tale, Preston began to work with Spezi on the case. Here is the true story of their search to uncover and confront the man they believe is the Monster. In an ironic twist of fate that echoes the dark traditions of the city’s bloody history, Preston and Spezi themselves became targets of a bizarre police investigation."

I have recently finished this excellent book and will review it soon. Those who are interested can purchase a copy from Amazon.com: The Monster of Florence.


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Book Review: The Religion by Tim Willocks

The Religion, set on the island of Malta in 1565, follows the exploits of Mathias Tannhauser, an adventurer and mercenary who embarks on a mission to locate a Maltese Noblewoman's estranged son. This quest is set amongst the great seige of Malta, which pitched the Knight's Hospitaller against the Turkish Empire, one of the last great crusader battles.

The Religion is extremely well research and equally well-written and whilst large parts of the book are devoted to battle scenes, the prose does not adopt a descriptive or hackneyed style; in fact the descriptions are brutal, gory, poetic and written in a gripping style.

It should be said that this novel does not beautify or glorify war, it does quite the opposite in fact in a sometimes stomach-turning and balanced fashion.

Equally, the plot of The Religion is enthralling and the author has created some really interesting characters, and pits a flawed hero against an extremely dark and sly foe; Ludovico Ludovici of the Inquisition. Quite frankly, the combination of interesting characters, gripping plot and incredible action made this book hard to put down and is written with such literary mastery that it feels like a future classic.


The Religion is highly recommended to all book lovers and Willocks shows himself to be a very fine author here.

Score: 10/10


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Books to be Reviewed: Against The Flow by Tom Fort

Thanks to Natalie Higgins for sending me a copy of Against the Flow by Tom Fort for reviewing. This is a travel book about one man's travels and angling adventures around Eastern Europe on two trips, one just after the collapse of Communism and one more recent.

"Twenty years ago, Tom Fort drove his little red car onto the ferry at Felixstowe, bound for all points east. Eastern Europe was still a faraway place, just emerging from its half-century of waking nightmare, blinking, injured, full of fears but importantly full of hope too. Things were different then. Czechoslovakia was still Czechoslovakia, Russia was the USSR and the Warsaw Pact had not formally dissolved. But what did exist then, as they do now, were the rivers: the nations' lifeblood. It was along and by these rivers that Fort travelled around Eastern Europe meeting its people and immersing himself in its culture. Since that trip though, much has changed and in more recent years around one million Poles have settled in Britain. Fort's local paper has a Polish edition, his supermarket has a full range of Polish bread, sausage and beer and an influx of Polish businesses opened in his town centre. And it's not just the Poles, his gym has a Lithuanian trainer and the woman who cuts his hair is from Hungary. As a tide of people began to leave Eastern Europe and settle in the UK, Tom Fort started to wonder about what they were leaving behind and whether the friends he had made all those years ago remained. And so he decided to make the journey again."

A review will soon appear here. For those that want to purchase a copy now, orders can be placed here: Against the Flow.


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Book Review: Hit List by Lawrence Block

Hit List by Lawrence Block is a story of a professional hitman, John Keller, for whom things begin to go wrong. Whereas most of his jobs have run smoothly, a few begin to take a strange twist whereby people loosely connected to Keller die and he begins to get jumpy. After a few close incidents he realises that someone is out to get him and he is eventually forced to take out a hit on the hitman who is trying to hit him.

Whilst the premise of this story is interesting and has the possibility for some rather dark humour, it is woefully padded out with a large amount of barely relevant incidents such as Keller doing jury duty and an unacceptable amount of banal sarcastic dialogue.

Despite the many bad points of this novel, the character of Keller is an interesting one and he is developed quite considerably and the plot, although short, does make the reader want to find out what happens. Unfortunately, the twist is so obvious that I could see it coming way before the end and as such the ending was a complete washout.


This book is okay to pass the time with and with an interesting plot idea and lead character, it isn't a complete waste of time, but don't go out of the way to buy it.

Score: 4.5/10


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Book Review: Birdwatchingwatching by Alex Horne

Birdwatchingwatching documents the year-long foray into birdwatching by Alex Horne, an investigation into a hobby that his father has long had and that Alex has never understood. In an attempt to understand his father's passion Alex challenges him to a "Big Year", a year in which the person who sees the most species is declared the winner.

Over the course of a year Alex's growing enthusiasm for birds is obvious and the way in which he delves into all the mysterious aspects of birdwatching is very amusing indeed. The style of this book is one of a naive newby to the hobby of birdwatching, almost birdwatching through the eyes of a child, making great reading for anyone who loves birds, from those with just a casual interest to the hard core "twitcher". Indeed, in the course of a year Alex participates in all aspects of birdwatching, attempting to literally become a "robin-stroker" in his back yard and twitching (unsuccessfully) the UK's first Long-billed Murrelet as well as using a birdwatching guide in Africa to boost his yearly total.

The style that birdwatchingwatching is written in belies the fact that the author is a comedian and there are a lot of very amusing insights into the psyche of birdwatchers and comparisons with Alex's first love - football.

This is an excellent read for anyone who has even a passing interest in birds or for anyone who knows a birdwatcher. A highly entertaining book that I couldn't put down and it was with great dismay that I finished it so quickly - this has very quickly become one of my favourite books ever and I can't wait to read it again.

Score: 10/10


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Squidoo Page on Dr Seuss's Top 5 Books


I have loved Dr Seuss's books since I was a kid, my favourites being Green Eggs and Ham and The Sneetches. I still read these books as an adult. Recently I made a page on squidoo.com about what I think are the best 5 Dr Seuss books out there. There is a bit of information about Dr Seuss himself there too and some links to other Dr Seuss books.

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luni, 11 octombrie 2010

Book Review: The Man eaters of Tsavo by J. M. Patterson

The Man Eaters of Tsavo is the classic, true, story of how an English engineer tracked and killed two man eating lions that had been preying upon the workers attempting to construct a railway in Kenya.

Whilst the story of the man eaters is quite an amazing one, the author does not seem to have the gift of being a storyteller, and the facts, which would have made for a rivetting tale had they been relayed in style, are simply retold in a brief, descriptive fashion.

Indeed, so briefly is the story told that in fact the tale of the man eaters is over before the reader has got halfway through the book. The remainder of this book goes on to recount hunting anecdotes from the author's stay in Africa and simply retells how large numbers of animals were shot. Even taking into consideration the different attitudes of the times, this bloodlust becomes rather hard to take and, quite frankly, rather boring reading.


Unfortunately, although the potential for this to be an exciting tale is high, the delivery of the story is poor and the follow up is quite dull. However, the first part of the book is worth reading for the details of the audacious predators raiding well-protected camps on a nightly basis.

I would only recommend this to those who have an interest in Africa or colonialism.

Score: 6/10


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